Vol 3 No 1 2009

Douglas KerrCX Dillhunt

Writing With Water

This morning watching the master practicing in the East Garden, near my office.
I stop.  Listen.  He is bending, writing, students watching.  No one speaking.
Mid-morning, early November, roses still bloom. I walk this way to walk with
them, speaking red, yellow, pink.  Chinese roses my students assure me. You
should see them earlier. Look how tall they are. Do you like them?

       

        China rose petals
        falling from November tops
        pink on yellow red

 

He uses a large brush, long handle, worn, no hint of black remaining.  A tea jar
with water, not clear, two-thirds full, open, cover not near by.  He writes on the
cement of the park pavilion.  Open green, curved stone walking bridge, oval
pond, some gold fish near by. The bridge is for lovers they tell me.  Already
another dusty, dry day. Thin breath of the Gobi moves as the water moves
forming each stroke, running into each new character.  Students part to make
room as I move closer. He motions, calls me Laoshi, teacher. He offers me the
brush. My head shakes.  No, you are Laoshi. I don’t know what my mouth says.
I can feel the O of my lips. He offers again.  As I smile no  with my hand the
students smile.  There I am.  Holding the brush.  I tell him, I have a Chinese
name, the only character I know.  When I pronounce it he doesn’t listen. He
points to the pavement. I notice his characters are fading.  People are walking
by.  Even the ginkgos are watching.

 

        Ginkgo biloba
        walking through the East Garden
        memorizing now

 

I stand brush in hand.  Practice.  Holding the brush.  I draw in the air.  Everyone
is quiet. Everyone watches. My movement becomes the conversation.  The water
jar still on the pavement.  He points again.  I bend. Kneel on one knee.  Reach,
pretend. Practice, again. This time closer to the pavement, almost touching the
cement. I say, I don’t know how. He points. I dip, draw, dip draw, dip and the
brush remembers each of the six strokes.  For the first time I don’t think. Now
there is no one or two or three.  There is no next.  I am my name. My name is
me.  Dip, stroke and when done, he says: Good, Laoshi.  He asks if I know my
name. I say I am An as in Xi'an, the students applaud. He shows us how my
character has changed over time, four, maybe more, all recognizable. 

 

        Your name with water
        he says always meaning you
        peace and safe return

 

CX Dillhunt
Monday, November 13, 2006, Xi’an Jiaotong University, PRC

Writing With Water

Translations in English Class

CX Dillhunt